More Than Just Boricio Wolfe: A Review of Yesterday’s Gone (Season 1): How Many Stars Should I Rate It?

Here is the summary of this book review, in case you are in a hurry: Yesterday’s Gone (Season 1), by Sean Platt and David Wright (and edited by Jason Whited) is a serialized, post apocalyptic suspense thriller written from multiple viewpoints. The story, like others of the genre, is complex and escalates steadily to the cliffhanger ending. I thought the ending was skillfully done. It didn’t straight-out annoy me as many cliff-hangers do. There was just enough resolution to satisfy me, while still (strongly) encouraging me to read the next book — which I have purchased in ebook and audiobook formats (because I roll like that).

THE MEAT AND GUTS OF THIS REVIEW:

My to-be-read pile is tall. I have more books waiting for my attention that I will ever find time to enjoy properly. I also know that Sean Platt and David Wright are extremely prolific artist. So why would I torture myself by starting a series?

Because the are a lot of fun to watch on their podcasts. They have a healthy attitude about and pride in being writers. The first book in the series was free and I thought, somewhat unrealistically, that I might practice putting the/a book down if it wasn’t deserving of my time. (I am a bit of a finisher, despite being prone to slow reading…daydreaming… and distraction.)

So I grabbed Yesterday’s Gone, Season 1 and slammed it down on the top of my digital “to-read” pile. 

I didn’t know what to expect. I was hoping for the best and afraid that I would be disappointed. I knew from just sampling the beginning that it was well written (as far as basic craft and mechanics) and the premise was interesting, but I was making a commitment to spend a lot of time with these to authors and their imaginations.

One of my goals for this year is to learn to read faster, for the sake of enjoyment and revising my own work more efficiently. I started out reading very fast, and slipped into my normal let’s-poke-around-this-fictional-world-with-a-daydream pace. 

This, my friends, is a sign.

I stayed up late at night with the story. When should have been doing other things, out came on my Kindle Fire. This was a last ditch attempt to give my eyes a break from phone reading, which is my normal MO. I finished it in what was a fairly short time period in comparison to how I normally read.

And now I’m the proud new owner of both an ebook and an audiobook version of Yesterday’s Gone, Season 2. 

Season one is a long and complex book with lots of characters. There are multiple viewpoints which is something I often like, but can be mishandled by some authors. There were a few points in this story when I was having a hard time differentiating between the characters (possibly because I didn’t make time for ‘enjoyment reading’ for several days at a time; I was writing a lot). Once I latched onto my favorite characters in the story, the entire thing started to grow on me.

A FINAL WORD (WRITTEN LATE AT NIGHT AFTER WORKING A FULL SHIFT AND THINKING ABOUT ALL OF THIS STUFF):

Sean Platt and David Wright are the real deal. They write an excellent suspense thriller. In short these guys are pros. I don’t award as many five star ratings as I used to when I first began reviewing books. Even as I write this I’m not sure if I can justify giving a full five stars, because I hold five star books in a much higher standard. The basically have to change my life (nonfiction) or leave a long-lasting resonance that not many stories do these days.

I hope the tone of this review isn’t too much. It might be that I’ve somehow expected less of writers who write in such a great quantity and so quickly (despite my own propensity to attempt the same thing). As a writer, I agree that writing quickly can often lead to a better, more honest story, but while I say this and tell myself I believe it, the long-standing view of our society is that creativity should be slow, painful, and leading to alcoholism and suicide.

How dark is that? Wow. We grow up believe this and still want to be artists? Why can’t writing, or painting, or making music, or anything be a joyful and fulfilling process? Why, I ask you!?

And even though I am also an independent author and bridle at the stigma, it is easy to look for faults in the work that an author has spent the time, energy, and personal risk to self-publish / produce.

This makes me feel like the strangest kind of hypocrite to judge fellow indies more harshly than I would a traditional published author, but I guess it’s just hardwired into my daydreaming-prone brain.

The point is that I am seriously impressed with this story and recommend it to anybody who enjoys thrillers or serial fiction or both. The only risk I took in reading this book was that I might waste my time. I downloaded it from Amazon for free and I enjoyed it. Enough to buy season two. It remains to be seen if I will like season two enough to buy season three, but I imagine that I’m probably hooked.

I SHOULD PROBABLY SLEEP NOW

I should probably sleep now, it’s the responsible thing.